Learn About Chalino Sanchez: the Profile, Wiki, Biography, Age, Girlfriend, Height, Career, Net Worth, and More.


Rosalino Sánchez Félix, sometimes known as Chalino Sánchez, was a Mexican singer-songwriter who lived from 30 August 1960 to 16 May 1992. He performed regional Mexican music and was well known for his narcocorridos (drug ballads). After his death, he was referred to as the corrido’s king. The first innovator in the narcocorrido genre was Musart Chalino. He covered a variety of subjects in his songs, including the Mexican Revolution, cartels, drug smuggling, murders, serial killers, Mexican standoffs, gambling, and murder-suicides.

These stories were typically set in nineteenth-century Northern Mexico. Chalino started writing songs for prisoners who had stories they wished to preserve in a ballad during a stay in the La Mesa Prison in Tijuana.

Chalino also wrote and performed radio-friendly love tunes. Chalino was assassinated shortly after giving his final live concert in his birthplace of Culiacan in May 1992, while he was gaining popularity following a failed assassination attempt four months earlier. Rosalino Sánchez Félix was born in Sinaloa on a modest ranch called “Las Flechas.” The youngest of seven children, he was.

Santos Sanchez (1964–1964) and Senorina Felix (1991–1991) were his parents. Chalino had a challenging upbringing and a terrible existence. Juana, his sister, described him as a curious and cheeky youngster who had a lifelong desire of being a singer. Rosalino is his birth name, but Sanchez picked Chalino since Rosalino seemed too feminine. His sister was sexually assaulted by “Chapo” Perez in 1975 when he was 15 years old.

A 17-year-old Chalino allegedly shot the man dead after seeing him at a party two years later, in 1977. With his revolver and a Jess Malverde necklace, Sanchez fled for Tijuana after carrying out this deed. He served as a “coyote” (an immigrant smuggler) while residing in Tijuana, transporting immigrants into the country. Chalino entered the country that same year as an unauthorized migrant worker.

He started off in Oregon before making his way to Los Angeles to reside with his aunt in Inglewood, California. According to his pals, he sold automobiles, cleaned dishes, and distributed tiny amounts of cocaine and marijuana. Additionally, he supported his older brother Armando in running a smuggling business.

Through his cousin Rosalba, Chalino was introduced to Marisela Vallejos, and in 1984 they were united in marriage. They got married and had a second child, Cynthia Sanchez, while expecting their son, Adán Sánchez. Until Chalino Sanchez’s passing in 1992, they were wed. The shooting and death of Armando in a Tijuana hotel in 1984 served as the impetus for Chalino to write his initial corrido or ballad.

Chalino was detained about this period. He started writing songs for other prisoners and anyone else who had a compelling tale to share. Chalino started to make money off of his songs, and his patrons would give him gifts like guns and presents. Lucio Villareal, El Pelavacas and Jorge “El Coquio” Castro are just a few of his numerous clients.

Chalino was advised by a tiny group called “Los Cuatro de la Frontera” to visit a recording studio on Olympic Boulevard in Los Angeles. Angel Mariscal was the owner of the studio, which went under the name San Angel Records. Chalino performed his own songs because the original performer had cancelled and wanted to sing one of his songs instead.Chalino made his first tape of 15 songs in 1989.

Chalino stocked tapes at neighbourhood swapmeets, bakeries, and many other establishments in South Central Los Angeles while selling his cassettes out of his car trunk. Chalino made contact with Pedro Rivera, a fellow immigrant from Mexico who had established a modest recording studio in Long Beach, California. The Cintas Acuario studio offered inexpensive recording opportunities for emerging musicians.

The “prohibited corridos” (corrido prohibido), songs that glorified drug dealers, killers, or “valientes,” were invented by Chalino and Rivera. Although they weren’t first played on radio, the Cintas Acuario roster—which subsequently included Pedro’s children, Lupillo and Juan—became the cornerstone of the Latino genre in Los Angeles.

Promoters throughout the Southland moved fast to secure Chalino’s performance at their venues. No famous singer had ever attempted to sing in Chalino’s cadence and Sinaoloan slang.

1992 Coachella Incident

120 miles east of Los Angeles in the desert city of Coachella, Chalino was giving a performance at the Plaza Los Arcos restaurant and nightclub on January 25, 1992. According to reports, Chalino was scheduled to take the stage at 10 p.m. Four hundred persons were there when the event centre reached capacity around seven o’clock. Chalino started taking song requests from the audience while he was performing.

Eduardo Gallegos, 32, a local unemployed mechanic from Thermal, California, requested “El Gallo de Sinaloa” just before midnight. While high on heroin and alcohol, Gallegos then leaped onto the stage and pointed a.25-caliber pistol at Chalino. Chalino responded by removing his 10 mm pistol from his waistband and starting a gunfight.

In addition to striking Chalino’s lung twice in the chest, under his armpit, with one of Gallegos’ initial four shots, accordionist Ignacio “Nacho” Hernandez also took a bullet to the thigh. Shots fired by Chalino accidentally hit 20-year-old Claudio Rene Carranza in the main artery in his right leg after missing Gallegos. Carranza was later declared dead at John F. Kennedy Memorial Hospital.

As they engaged in a brief chase into the crowd below, Sanchez and Gallegos each started shooting at the other. Around 7 more people were apparently hit in the altercation as well as the nine to fifteen shots that were fired. A spectator wrestled Gallegos to the ground. After a struggle with the onlooker, Gallegos was shot in the face by his own pistol.

Sanchez and Gallegos were both listed as critical and transported to Desert Regional Hospital, in Palm Springs. Chalino Sanchez spent 11 days in the hospital before being discharged without being charged as a result of a self-defense defence. Eduardo Gallegos, who managed to recover from his injuries, was found guilty of the crime and given a sentence of 15 years to life in prison.

English- and Spanish-language publications, as well as ABC World News Tonight, covered the shooting. Despite only having one old-fashioned, non-narcotic song named “Nieves de Enero,” Chalino saw success with his sales and started receiving airtime. Doors had to close for his upcoming Los Angeles performance at El Parral at 6 pm, five to six hours before he was scheduled to take the stage.



During a concert at the Salon Bugambilias in Culiacan on May 15, 1992, four months after the Coachella incident, Chalino received a note from a member of the audience. It’s thought that the note was a death threat. Chalino may be seen crumpling up the note before performing “Alma Enamorada” in a video recording of the song.

After the clock struck twelve, Chalino, his two brothers, a cousin, and several young women left the club in a car. A gang of armed guys driving black Chevrolet Suburbans stopped them and ordered them to stop. They informed Chalino that their commandant wanted to see him while displaying their state police ID cards. The others followed behind Chalino as he entered one of their vehicles after agreeing.

Two farmers discovered Chalino’s death the following morning at six in the morning along an irrigation canal by Highway 15 close to the Los Laureles area in Culiacan. He had rope marks on his wrists and was wearing a blindfold. He had received two gunshot wounds to the back of his skull.


Legacy and family

Adán Sánchez, the son of Chalino, carried on his father’s musical legacy and achieved popularity as a regional Mexican musician before passing died unexpectedly at the age of 19. His renown and recordings have become more well-known since his passing. Even three decades after his passing, Chalino continues to receive millions of streams and is still a favorite among young Hispanic listeners.

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